The 1990s Best Supernatural Horror Series Was Too Violent For CBS

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By Jonathan Klotz
| Published

In 1995, CBS had a problem on its hands. The network was losing ground against the rise of NBC’s “Must See Television,” and old stalwarts Murder, She Wrote, Rescue 911, and Murphy Brown were losing to the rise of the 90s edgier, grittier content.

CBS greenlit the most creative, daring show of the 1995 television season in its bid to fight back, but American Gothic was too dark, too gritty, and too much for the future America’s Most Watched Network. Turns out, a dark series about a corrupt small-town sheriff engaged in devil-worship was a hard sell to the American public, but today, it’s an incredible one-season cult classic. 

What If The Devil Was The Law?

The star of American Gothic is the villain, Sheriff Buck (he likes to remind people it’s with a “B”), played by future NCIS leading man Gary Cole. Charismatic and charming when he wanted to be, Buck would walk around town coercing citizens into performing small favors for him, little deals here and there, that would help solidify his control over the town of Trinity. The only thing he can’t get is the only thing he truly wants: the young boy, Caleb Temple, played by Fast and Furious: Tokyo Drift star Lucas Black, as his heir. 

Standing in Buck’s way is Caleb’s dead sister, Merlyn, played by a young Sarah Paulson, but she’s still Sarah Paulson and is both incredibly creepy (she’s a ghost) and sweet (she’s a friendly ghost). Alongside his cousin, Gail (Teenage Mutant Ninja Turtles II’s April O’Neil, Paige Turco) and the new town doctor, Dr. Crower (Medium’s Matt Weber), they try to fight against the growing darkness of Buck. Notably absent are Caleb’s parents, both dead due to Buck, and his sister becomes a ghost after she’s strangled to death by Buck. In Episode 1. 

Sarah Paulson In American Gothic

American Gothic embraces a combination of episodic storytelling, with the one about the junkyard owner in too deep with Buck as a standout, and the mythology arc of Buck’s influence spreading, festering, and making everything a little bit worse for the residents of Trinity. “Strong Arm of the Law” shows why some residents accept the obviously evil Sheriff when he puts an end to criminal out-of-towners raising chaos. It also includes the single most evil act of Buck’s: he pours out Dr. Crower’s coffee. 

American Gothic Was 30 Years Too Early

As dark and disturbing as American Gothic would get, with the assaults and child murder and all, the show was clearly heavily influenced by Twin Peaks and includes small moments of bizarre, tonally off humor. Buck himself is basically Ray Wise’s Leland Palmer dialed up to 11, Big Jim from Stephen King’s Under the Dome done right, or Andy Griffith’s intrusive thoughts. In 1995, there was nothing like this. 

Unlike most early cancellations of promising, high-concept shows, American Gothic wasn’t undone by studio interference. CBS was hands-off, allowing executive producer Sam Raimi (now it all makes sense, right?) to run with every crazy idea he had.

Proof of that is the assault, the murders, the entire Satanism undercurrent throughout the whole series, any one of which would make a show a hard sell to the general audience. CBS played up Paulson’s performance as Merlyn, using her creepy line-reading of “Someone’s at the door” in ads, but that was a little too effective and terrified an audience in love with Murder, She Wrote and Touched by an Angel

American Gothic never had a chance to finish the story. Attempts at turning it into a movie fell apart over the years, and today, it’s fondly remembered by those who gave it a chance but too often overlooked.

Over 30 years after its cancellation, the dark story of greed, lust, murder, and the occult would be an immediate hit. You can purchase the complete series today on both YouTube and Amazon Prime to see how audiences in the 90s didn’t appreciate how good they had it. 



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